The Best Cigarette - by Billy Collins

There are many that I miss
having sent my last one out a car window
sparking along the road one night, years ago.

The heralded one, of course:
after sex, the two glowing tips
now the lights of a single ship;
at the end of a long dinner
with more wine to come
and a smoke ring coasting into the chandelier;
or on a white beach,
holding one with fingers still wet from a swim.

How bittersweet these punctuations
of flame and gesture;
but the best were on those mornings
when I would have a little something going
in the typewriter,
the sun bright in the windows,
maybe some Berlioz on in the background.
I would go into the kitchen for coffee
and on the way back to the page,
curled in its roller,
I would light one up and feel
its dry rush mix with the dark taste of coffee.

Then I would be my own locomotive,
trailing behind me as I returned to work
little puffs of smoke,
indicators of progress,
signs of industry and thought,
the signal that told the nineteenth century
it was moving forward.
That was the best cigarette,
when I would steam into the study
full of vaporous hope
and stand there,
the big headlamp of my face
pointed down at all the words in parallel lines.

Nostalgia - by Billy Collins

Remember the 1340's? We were doing a dance called the Catapult.

You always wore brown, the color craze of the decade,

and I was draped in one of those capes that were popular,

the ones with unicorns and pomegranates in needlework.

Everyone would pause for beer and onions in the afternoon,

and at night we would play a game called "Find the Cow."

Everything was hand-lettered then, not like today.

Where has the summer of 1572 gone? Brocade and sonnet

marathons were the rage. We used to dress up in the flags

of rival baronies and conquer one another in cold rooms of stone.

Out on the dance floor we were all doing the Struggle

while your sister practiced the Daphne all alone in her room.

We borrowed the jargon of farriers for our slang.

These days language seems transparent a badly broken code.

The 1790's will never come again. Childhood was big.

People would take walks to the very tops of hills

and write down what they saw in their journals without speaking.

Our collars were high and our hats were extremely soft.

We would surprise each other with alphabets made of twigs.

It was a wonderful time to be alive, or even dead.

I am very fond of the period between 1815 and 1821.

Europe trembled while we sat still for our portraits.

And I would love to return to 1901 if only for a moment,

time enough to wind up a music box and do a few dance steps,

or shoot me back to 1922 or 1941, or at least let me

recapture the serenity of last month when we picked

berries and glided through afternoons in a canoe.

Even this morning would be an improvement over the present.

I was in the garden then, surrounded by the hum of bees

and the Latin names of flowers, watching the early light

flash off the slanted windows of the greenhouse

and silver the limbs on the rows of dark hemlocks.

As usual, I was thinking about the moments of the past,

letting my memory rush over them like water

rushing over the stones on the bottom of a stream.

I was even thinking a little about the future, that place

where people are doing a dance we cannot imagine,

a dance whose name we can only guess.

Introduction To Poetry - by Billy Collins

I ask them to take a poem
and hold it up to the light
like a color slide

or press an ear against its hive.

I say drop a mouse into a poem
and watch him probe his way out,

or walk inside the poem's room
and feel the walls for a light switch.

I want them to waterski
across the surface of a poem
waving at the author's name on the shore.

But all they want to do
is tie the poem to a chair with rope
and torture a confession out of it.

They begin beating it with a hose
to find out what it really means.